Friday, 30 November 2012

Megan Jerome talks about her new CD - Released tonight!

One of the city's most creatively active singers is releasing her new album tonight at the Fourths Stage. Megan Jerome, has always had a way of getting to the heart of a song, her music and her life are open to us all, in the kind of way that makes you want to open up to the person next to you on the bus. The concert will be the first feature after Megan's return from a month long residency in New Orleans.

I just had to ask Megan a few things about this new release:


1. Your music has an honesty to it - a reflection on the world around you. Is there a story or a purpose behind this record?


This record is all the songs I've written in the past two years, and a lot has happened in that time.

The summary is that over the past two years I have done A LOT of internal work. Deep work, with the help of a therapist. Addressing my deepest fears of being unloveable, of abandonment - both of being abandoned and of abandoning my own artistry - of questioning everything. It was very very difficult work. Lots of grief, lots of turmoil, lots of great talks over bottles of wine with lots of close friends and even new friends who are all going through the same thing. It's a very natural phase, but it's not easy.

I strengthened my relationship with my mother, which I am so fully grateful for. My mom died at the beginning of August. That is a major shift for me - my dad had already died, and so this is in a way a new life for me, a new section of my life that might be organized in a different way. I loved being close to my parents, and I also love to travel, to experiment. 

I recorded the record at the end of August. 

While my mom was dying I did a lot of thinking about what this will mean for me, what are ways to focus my energy now. I knew that nothing I wrote after this major event would be like what I wrote before, at least not to me, and so it was a way to heal by really playing and getting at my music, and it was a way to tidy up loose ends, to celebrate the end of one phase and the beginning of the next. The trip to New Orleans was totally meant to signal that too.

2. Your music also always has an element of beauty to it and I know it comes from all kinds of sources. What musical or non-musical sources have inspired the music on this album?


Pilates!!! I've lost 30 pounds in the last two years. I've gotten in shape! I feel strong, and healthy and beautiful! I have a whole new awareness of my body that I had really hidden since I was about 16.

I go out dancing now! I LOVE to dance, I always have, and I stopped in my early 20s, I think after I left engineering school. The girls I lived with in engineering loved to dance - so did the guys, actually - and I haven't found a group of friends to do that with until the last two years. 

Marc Chagall paintings - The Equestrienne is inspired by and named after his painting.

My piano students - they are so endlessly creative - the list of horse breeds at the end of Equestrienne is totally inspired by a student, who also suggested I stick a golden fork in my hair to pull out at the end of the performance as a surprise!!!!!

Again those deep questions - I came to a point where all I believed in was music, and the creative energy of the universe. It's just me and this spirit, wandering around Ottawa finding inspiring places, under the moon, by the water, quiet, alone, asking the simplest questions, trying to really feel my feelings.

3. I know you recently returned from a month long residency in New Orleans, do you have any highlights?


I WENT OUT DANCING 30 NIGHTS IN A ROW TO THE BEST LIVE MUSIC I HAVE EVER HEARD!

I ATE THE BEST FOOD I HAVE EVER TASTED, FOR SUCH AFFORDABLE PRICES - CREATIVE, YOUNG, FUN, PLAYFUL, FRIENDLY PLACES AND PEOPLE!

I DANCED AND PARTIED IN THE STREETS OF NEW ORLEANS WITH THOUSANDS OF OTHER PEOPLE IN SECOND LINES FOR HOURS EACH SUNDAY AFTERNOON!

I UNDERSTOOD THAT THIS WAS EXACTLY WHERE I NEEDED TO BE TO GRIEVE FOR MY MOTHER, MY FATHER, ALL THE SADNESS I HAVE REALLY REALLY FACED IN THE LAST TWO YEARS BECAUSE PEOPLE IN NEW ORLEANS KNOW WHAT IT MEANS TO SUFFER, THEY HAVE LOST, AND THEY PLAY MUSIC FOR THEIR LIVES. THEY ARE PLAYING TO STAY ALIVE AND THEY GROOVE AND DANCE AND LAUGH AND EAT AND THEY REALLY ENJOY. 


4. Do you have any thoughts on the music scene in Ottawa, after having returned from New Orleans?


Ottawa's great! 

Of course I miss the excellence, the energy, the culture of live music and dance in New Orleans.

But what I do is simply think about what is heavenly here.

Mike is heavenly!

Our home is heavenly!

My friends are here - all those friends I was talking about earlier - and so are new friends and opportunities. I came back and had a gig every Tuesday night in October with the Lake Effect (you know Dave Bignell). That was great! Those guys are so much fun. They are so cool to play with, so warm, so welcoming. I had a great time playing with them. That's something I've never done before, so that's terrific.

I started thinking about it being like a cabin in the woods here. It's time to practice, to get my work done, to be quiet, to write, to listen, to reflect. 

This is my home, this is where I teach and earn a living and I LOVE to teach. I am constantly enchanted and inspired by my students. I am extremely grateful to earn a living here teaching piano lessons in my own home, in my own way to families who truly believe in what I do. 

I find that I have total creative freedom here. I can just do my own thing. That is very important to me. 

It's safe here, I can be alone anywhere or nearly, at nearly anytime of night. That is good for creativity.

We have unlimited access to unlimited wild nature here. That feeds my creativity.

There are musicians here - Jeff Rogers, Don Cummings - who really make me want to move. There is still lots I haven't even really checked out - there are tons of people dancing to really creative djs and I haven't fully explored that at all...sounds like a fun winter project, eh?

Ottawa's great - I love the easy vibe about people doing their own thing, at a pace that suits them. Lots of people who stay, stay because of family, or lifestyle and that's really what Mike and I have done too, so it's a home in that sense as well. 

5. What's next in your music?


Well, I've stayed in touch with a pianist in New Orleans. I might try and go back, and absorb some more of that juicy stuff!
I might write for wurlitzer specifically.
I might further explore basslines, simple grooves.

I would love to complete what I think is a missing link in my musical self - there are a ton of songs I grew up learning, and they were played a lot in New Orleans - and I'd really love to have a night of music like that that is not my own, but that I've worked out in a way that suits me, and yet suits the vibe of a party.

I've already started - I've been watching a lot of Nina Simone concert footage - a groovy bass line with Lil Liza Jane!

6. (this might be kind of the same question...) Any advice for life and music?


None! You?

Well, yes - check out Tom Arthurs!! I got in touch with him again and he's now doing super well musically and considering a PhD in sociology to explore the questions of music and life!

Megan Jerome performs tonight, Nov 30th at National Arts Centre’s Fourth Stage, at 7:30pm. Tickets are available at the NAC Box Office or online at www.ticketmaster.ca ($20).

Monday, 26 November 2012

Craig Pedersen Quartet tour videos

I love the inventiveness and creativity of artists! I know this statement says the obvious but it never seizes to amaze me. Craig's last tour included three shows, each show with a dedicated video... love it!




Monday, 29 October 2012

Maple Blues Award Nominees


The 2012 MAPLE BLUES AWARD NOMINEES were just announced by the Toronto Blues Society recognizing the best Canadian Blues artists of the year. CONGRATULATIONS to all of them!
Some great artists. Ottawa is well represented:

MonkeyJunk – 5 nominations!
-Entertainer Of The Year
-Electric Act Of The Year
-Male Vocalist Of The Year
-Harmonica Player Of The Year
-Drummer Of The Year

JW Jones  
- Electric Act Of The Year

Suzie Vinnick
- Acoustic Act Of The Year

Friday, 19 October 2012

David S. Ware - a legend gone

A great legend has left us last night in the hospital in New Jersey at the age of 63. David S Ware was one of our most powerful saxophonists, with a recognizable sound, a sophisticated yet folky approach to improvising and a spirit to inspire. I first learned about David when he was signed to Columbia in 1997 by Brandford Marsalis with a beautiful record featuring William Parker, Mathew Shipp and Susie Ibarra. With dozens of albums as a leader, David was also a member of the Cecil Taylor Unit, Andrew Cyrille's Maono amongst others. For well over a decade David has been working with Steven Joerg and his label AUM Fidelity to connect his music with fans all over the world. Steven sent out an email announcing David's passing last night:
"It is with great difficulty that I type these words.  David's family has informed me that he passed earlier tonight at Robert Wood Johnson University Hospital in New Brunswick, NJ.  His physical body failed but his spirit was completely ready to move onward. 
There will be news forthcoming on a memorial service and we'll inform you of this when it becomes available.
"A giant" doesn't even begin to describe this man.  David had a whole lot more to teach us.  I know I had a whole lot more to learn from him, but am elementally and eternally grateful for all that he offered and revealed in his time here on this earth."
I have had the pleasure of working on the recordings of David S Ware several occasions as a recording engineer - recording, mixing and mastering some of his recent albums which was always a tremendous insight into David's intimate and raw approach to improvising... a way of life. I am very grateful to have met such a great artist and human being.

Petr


Friday, 5 October 2012

Thursday, 4 October 2012

IMOOFEST 2012 ticket giveaway


It is pretty exciting to have a community of people thinking about improvised and new music. And it is to the credit of The Improvised Musicians of Ottawa/Outaouais (IMOO) to bring everyone together the way they have. IMOO has been organizing consistent concerts featuring great local and visiting artists and to celebrate, IMOO is putting on their first IMOOFEST which features a great lineup including Ottawa's very own Juno award winner Jesse Stewart, Lori Freedman, Scott Thomson, Susanna Hood, the IMOO Orchestra and more!

Below is all the information you need to know and if you are the first to get back to me, I am giving away:

TWO FREE TICKETS to IMOOFEST


IMOOFEST


When: Friday October 5, 2012, 19h
 Saturday, October 6, 2012, 19h
Where: Club Saw (67 Nicholas St)
Tickets: $25/2-day pass
    $15/1-day pass
Available online at www.improvisedmoo.com or at the door.
The Improvising Musicians of Ottawa/Outaouais (IMOO) are extremely excited to announce our first ever improvised music festival, IMOOFEST 2012
Taking place on October 5th and 6th at Ottawa’s Club Saw, IMOOFEST 2012 will showcase eight acts over two days.  The festival will feature iconic Canadian improvisors Lori Freedman, Scott Thomson, Susanna Hood and Jesse Stewart, alongside a selection of established local artists.  
IMOO will also use the occasion to release their second compilation disc, IMOO Volume 2: Solos
Concert schedule:

Friday, Oct 5, 2012:
19h30 - Craig Pedersen, solo trumpet
20h - Northern Sound Electrical System
20h30 - Broscoe/Higney/Molnar
21h30 - Lori Freedman, solo clarinet
Saturday, Oct 6, 2012:
19h30 - Linsey Wellman, solo saxophone
20h - Instant Places
20h30 - Thomson/Hood/Stewart
21h30 - Lori Freedman with IMOO Orchestra.

About IMOO:
The Improvising Musicians of Ottawa/Outaouais is a local organization and group of musicians who draw on jazz, classical, folk, noise and rock music in exploration of contemporary practice in improvisation.  
We are a platform and resource for emerging artists to present their work and collaborate with other artists, and exist as a means to community development and networking to bring artists together, and present their work to a broad audience. 
With this in mind, over the last two years we have organized over 60 concerts and featured the finest improvisers in Ottawa, Montreal, Toronto and beyond.  Not limited only to musicians, we also present video artists and dancers.  Simply put, in the last two years, we have put Ottawa on the map as a city for improvising musicians.
More information and artist biographies available at www.improvisedmoo.com

Tuesday, 2 October 2012

Chris Thile - 2012 MacArthur Fellow

The incredible mandolinist Chris Thile has been named a 2012 MacArthur Fellow. The annual fellowship, also known as the "genius" award, offers an unrestricted award of $500,000 over five years, recognizing individuals who "have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction"

Chris Thile has not only changed mandolin and bluegrass but has also blurred stylistic borders with collaborations with everyone from Edger Meyer to Brad Mehldau.